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The Child Is Grown, the Dream Is Gone: Growing Up with Spider-Man

“The child is grown, the dream is gone.” The line is from Pink Floyd’s “Comfortably Numb,” on The Wall. I have been thinking about it since watching Spider-Man: Brand New Day, because Spider-Man has become one of the ways I measure time. I remember part of my childhood through a red-and-blue suit moving across a computer screen. I first watched Sam Raimi’s Spider-Man around 2007. The details surrounding that day have blurred; the image has not. Tobey Maguire’s Peter Parker was bitten by a radioactive spider and discovered that his ordinary

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How Christopher Nolan Turns Cinema into a Cultural Event

Christopher Nolan remains one of the few contemporary directors whose name alone possesses the pull of a public event. A new release does not simply debut; it incites speculation, critical debate, and fierce audience loyalty long before the initial teaser has finished its first run. This identity as a theatrical essentialist drives his latest feature, The Odyssey (2026). Released on July 17, the film became the first feature shot entirely with IMAX film cameras, representing the most ambitious expression yet of Nolan’s commitment to large-format theatrical exhibition. From Following

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Bangladesh Reaches Venice Milestone with ‍‍`The Difficult Bride‍‍`

Bangladeshi cinema has achieved a historic milestone as writer, director and producer Rubaiyat Hossain's fourth feature film, The Difficult Bride, has been selected for the Horizons (Orizzonti) Competition at the 83rd Venice International Film Festival. The selection marks the first time a Bangladeshi feature film has been included in an official competition section at the Venice Film Festival, one of the world's most prestigious cinematic events. The festival's 83rd edition will take place in Venice, Italy, from September 2 to 12, where The Difficult Bride will have its world premiere. Founded in 1932,

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Remembering Djibril Diop Mambéty, the Rebel Poet of African Cinema

Today marks the twenty-eighth anniversary of the death of Djibril Diop Mambéty, the Senegalese filmmaker whose formally daring body of work remains central to the history of African cinema. Mambéty died from lung cancer in a Paris hospital on July 23, 1998. He was 53 years old. Born in Colobane, Dakar, in 1945, Mambéty first trained as an actor and worked at Dakar’s Daniel Sorano National Theatre. Although he had theatrical training, he received no formal education in filmmaking and taught himself cinema. His early films, Contras’ City and Badou Boy,

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Bangladeshi Cinema: What Does It Say About the Subalterns
Article

Bangladeshi Cinema: What Does It Say About the Subalterns

Generally in popular or so called commercial cinema the rich and famous are central while the picture in alternative cinema
Light, Symmetry, and Obsession in Stanley Kubrick’s Films
Article

Light, Symmetry, and Obsession in Stanley Kubrick’s Films

Stanley Kubrick would have turned 98 this July 26, yet his visual choices remain strikingly contemporary. The first film I
Bergman’s Wild Strawberries and the Burden of Memory
Article

Bergman’s Wild Strawberries and the Burden of Memory

Ingmar Bergman’s film Wild Strawberries is one of the finest classical examples of psychoanalytic cinema. Ingmar Bergman was deeply
Disclosure Day: The Miracle of Listening
Review

Disclosure Day: The Miracle of Listening

With ‘Disclosure Day’, Steven Spielberg transforms America’s great UFO myths into a deeply humanistic late-career work about hope, communication and

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A Shanghai Story of Cinema and Friendship

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The Child Is Grown, the Dream Is Gone: Growing Up with Spider-Man

The Child Is Grown, the Dream Is Gone: Growing Up with Spider-Man

“The child is grown, the dream is gone.” The line is from Pink Floyd’s “Comfortably Numb,” on The Wall. I have been thinking about it since watching Spider-Man: Brand New Day, because Spider-Man has become one of the ways I measure time. I remember part of my childhood through a red-and-blue suit moving across a computer screen. I first watched Sam Raimi’s Spider-Man around 2007. The details surrounding that day have blurred; the image has not. Tobey Maguire’s Peter Parker was bitten by a radioactive spider and discovered that his ordinary ' ...

read more
How Christopher Nolan Turns Cinema into a Cultural Event

How Christopher Nolan Turns Cinema into a Cultural Event

Christopher Nolan remains one of the few contemporary directors whose name alone possesses the pull of a public event. A new release does not simply debut; it incites speculation, critical debate, and fierce audience loyalty long before the initial teaser has finished its first run. This identity as a theatrical essentialist drives his latest feature, The Odyssey (2026). Released on July 17, the film became the first feature shot entirely with IMAX film cameras, representing the most ambitious expression yet of Nolan’s commitment to large-format theatrical exhibition. From Following ' ...

read more
Bangladeshi Cinema: What Does It Say About the Subalterns

Bangladeshi Cinema: What Does It Say About the Subalterns

Generally in popular or so called commercial cinema the rich and famous are central while the picture in alternative cinema is the opposite. There the poor communities, the subalterns are given importance. Indian writer and film teacher in the United States Jyotika Virdi states this view in her book ‘The Cinematic Imagination’. I would like to begin this discussion by partially disagreeing with the statement of Virdi. It is not correct that popular cinema generally speaks of the rich and that in her words, the subalterns are central in ‘alternative’ ' ...

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Light, Symmetry, and Obsession in Stanley Kubrick’s Films

Light, Symmetry, and Obsession in Stanley Kubrick’s Films

Stanley Kubrick would have turned 98 this July 26, yet his visual choices remain strikingly contemporary. The first film I ever studied closely was The Shining, as my photography mentor suggested that I deep-dive into this film back in 2019, essentially to understand composition and the play of light. Kubrick's visual journey began at thirteen, when his father handed him a Graflex camera. By sixteen, he had sold his first photograph to Look magazine: a news vendor appearing grief-stricken, surrounded by headlines announcing President Franklin D. Roosevelt’s death. At seventeen, he ' ...

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Venice Film Festival Unveils 2026 Official Selection

Venice Film Festival Unveils 2026 Official Selection

The Venice International Film Festival has announced the official lineup for its 2026 edition, featuring a diverse mix of acclaimed auteurs, anticipated premieres and star-studded productions. The festival will run from September 2 to 12 on the Lido. Artistic director Alberto Barbera unveiled a competition slate that is noticeably leaner on studio and streaming titles than in recent years, while the selection is overwhelmingly dominated by films directed by men. Among the most anticipated world premieres is Martin McDonagh's black comedy Wild Horse Nine, a CIA drama set in the lead-up to ' ...

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